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From Content Production to Meaningful Engagement: A Collective Reflection on Communicating Development Research Online

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The communications landscape around us is changing — seemingly at breakneck speed. Since our last meeting as EADI Research Communications Working Group more than five years ago, especially the online communications environment has all but been transformed. These changes are forcing us to reflect on how we are communicating and whether it’s sufficient, also from a social justice perspective. The recent workshop for EADI members held in Bonn, Germany, was a moment for us to get together and reflect on recent changes and our responses.

Get with the times or fall behind

As the communications environment changes, we as research communications professionals are changing how we communicate scientific research. Sometimes this change takes place naturally. The recent changes to Twitter (X) — a platform long favoured by (development) researchers and research institutions for keeping vital discussions alive online — is a prime example. What we see now is a call coming from within the research community to find alternatives to a platform that no longer aligns to the mission of researchers and research communications professionals. We are not being forced to abandon Twitter; it is a choice that we make.

Fear the algorithm — it does as it pleases (or does it?)

At other times, we don’t have a choice; we are forced to change our communications strategies to prevent what we’re communicating from going unheard, from not making the impact we want it to, or from being misused. At the workshop, several participants highlighted difficulties they were facing when producing content for social media: the algorithms for platforms such as Instagram and Facebook decide which content is visible — and we don’t always know why. Algorithms all but govern social media, one participant observed.

Another recounted that the organization’s Facebook page was disabled because the word “climate” had been used. The word was considered politically inflammatory. The organization didn’t realize that this had happened until they investigated it, and even then, it took some puzzling to determine that it was that specific word that had triggered the freezing of the account. Something similar happened at another organization that had posted political content on TikTok — the account they used was banned from the platform. In both cases, they later knew what had triggered the ban but not how to prevent it.

At other times, the algorithm suppresses or highlights content seemingly at random. Many of us do not fully understand how this works. What we do know is social media platforms want to keep people on them for as long as possible. For this reason, content with links is suppressed because it takes users to another site. Embedding content on these platforms or on website pages might be one way to circumvent this – but this is not always possible, especially when we link to longer texts that simply cannot be posted on social media.

Too much information

This is linked to the problem of oversaturation: there is a wealth of content that gets posted on social media, meaning that content gets ‘lost’. And if the algorithm sends ‘undesired’ content to the bottom of the pile, the chances are even smaller that the post will be seen. How can we deal with this problem? Perhaps cross-posting on social media can ensure that it reaches more people. Researchers themselves could possibly also play a key role, as their online presence complements that of research communications teams and their voices are preferred over the more ‘generic’ voices of those who do so professionally. How to get researchers to want to communicate their research is discussed in another blog article on the workshop that follows this one.

We still need Twitter — but we don’t want to

Getting back to quitting Twitter, moving away from the platform is not as easy as we would imagine it to be. One participant remarked that they use the platform to reach journalists and that they’d simply fail to do so if they stopped using it. There also is not a strong enough alternative to the platform. Several participants had joined BlueSky but have not yet been able to determine whether the platform is useful or not; not many researchers have joined the platform, either.

And until everyone who’s important for our communications efforts has joined an alternative platform like BlueSky (both researchers and our target audiences) — or enough people to start a new community join it — Twitter will probably remain the dominant platform. A coordinated migration by development research and education institutes to a new platform was suggested as one possible way to make this shift, but the loss of followers that had taken several years to amass was identified as one disadvantage of this suggested strategy. And yet again other platforms such as Threads do not allow political content to be posted, something which several of the organizations wish to do.

LinkedIn is more important than ever

The discussion clearly showed the rise of LinkedIn, which not only performs well but is also becoming preferred by (development) researchers and practitioners alike. While other platforms such as Facebook are also used for personal reasons, LinkedIn is used by professionals to find information they need to do their work, one participant commented. This includes what’s happening in the field — new developments and possibly new partners to collaborate with. LinkedIn Groups are also useful for locating epistemic communities and those researchers and practitioners working on particular subjects or in particular fields. One participant shared how she had spent time on LinkedIn scanning groups to (re)post relevant content in.

Accessibility is key, but the digital divide persists

Accessibility is also becoming increasingly important. Videos are being produced with subtitles for those who cannot access the audio, or for those who watch them while commuting, for example. Other platforms remain less accessible; these include podcasts, which like videos require data to listen to that is expensive in many countries (where there is also limited access to Wi-Fi networks). In such contexts, mainstream media – television, radio, and newspapers – are still seen to play an important role.

Building and nurturing relationships

One of the important lessons we learned at the workshop is that communicating is more than simply producing and disseminating content; it is much more than that. One participant commented — and this struck me — that we need to focus not only on the “media” aspect of social media but also on its “social” aspect. We have a responsibility as research communicators to create and nurture social spaces.

Related to this, another participant commented that communication is about building relationships. From this perspective, we need to focus on enduring engagement that means nurturing the social spaces for dialogue we’ve created. Focusing only on spreading content is not enough.

And, last of all, meaningful engagement should be a key priority that drives our communications strategies so that our messages are not only heard but also heeded.


This blog article was first published here


Image: Taken from the workshop


About the author:

Lize Swartz is an academic blogging specialist, academic editor, and development researcher. She is Editor of Bliss, the blog of the International Institute of Social Studies, where she also conducts PhD research on experiences of and responses to water scarcity in urban contexts.

 

Misinformation on the Israeli-Palestinian conflict is spreading like wildfire on social media — here’s why we keep reading fake news and what we can do to change it

Can you trust what you read on social media about the Israeli-Palestinian conflict? Even some of the most popular posts are misleading. With more and more people using social media as their primary news source, how can we make sure that we’re getting accurate information? This question becomes much more relevant in times of conflict, where misinformation could cause widescale violence. In this blog article, Tom Ansell looks at misinformation in times of conflict and what we can do to encourage better reporting in fast-moving and dangerous contexts.

Image source: Pexels 

Twitter/X has been accused of stoking the fires of the ongoing Israeli-Palestinian conflict by multiplying misinformation. Examples include a video shared over seven million times that supposedly shows Israeli soldiers going house to house in Gaza City. In reality, the video is from 2021 and actually shows an Israeli police operation. Another example is a video of Hamas fighters ‘shooting down an Israeli helicopter’ that is from a video game and has been viewed by over 300,000 people.

These posts are not only pushing false narratives but are also spreading emotionally charged misinformation that can certainly stoke more violence. With the cause of the explosion at the al-Ahli Baptist Hospital in Gaza unclear, and with competing narratives from Gazan and Israeli authorities, plenty of misleading accounts have sprung up on Twitter/X that show videos reportedly of the explosion but that are actually from 2022, which has further inflamed tensions.

This is a worrying development for two reasons. First, engagement with and trust in ‘legacy’ media organisations, including national newspapers and media conglomerates, is at an all-time low across the world. Accurate and nuanced reporting that has been factually verified is no longer the dominant way for people to get their news. In various countries worldwide, more than half of people get their news from social media, including in Spain (50%), India (52%), Turkey (54%), Hungary (61%), Greece (61%), Peru (66%), and Nigeria (78%), according to Statista.

Second, people seem to be more likely to spread false information. An MIT study from 2018 suggests that Tweets (or X’s) that contain lies are 70% more likely to be retweeted compared to truthful posts, likely due to users’ ‘novelty bias’ (where new, surprising information is shared), or due to social media websites’ own algorithms.

Meanwhile, only a few weeks ago, the EU formally warned Twitter and Facebook about the growing proportion of misinformation on their networks, a warning that was re-iterated in the wake of the new waves of violence in Israel and Palestine. Whilst there are fact-checking accounts and initiatives on both networks (and also on Instagram, LinkedIn, TikTok, etc.), the real-world impact of mis- and disinformation that were identified in the COVID-19 pandemic has now come back sharply into focus with the ongoing campaign of violence in Israel and Palestine.

 

Why we read and spread disinformation

An appetite for quick information and near real-time updates has never been higher. And with few journalists immediately available and able to build a clear picture in a fast-moving context, an information gap grows. It’s precisely this gap that technology-focused and consumer-hungry social media networks fill by providing super quick updates and, often, photos and videos from the centre of a conflict zone that can push emotionally charged narratives and incite further violence.

Whilst there are large numbers of journalists from multinational legacy media organisations that can access conflict zones — usually wearing the famous blue ‘press’ bulletproof vest — — places where there is no authoritative or fact-checked source of news. This is particularly true for acute outbreaks of severe violence, where it is nearly impossible for a news organisation that is held to a high standard of accuracy to access the conflict zone. And when people cannot access authoritative news sources, they turn to alternative sources such as social media.

In protracted and lower-intensity conflicts, too, it is likely that local media will be unable to operate whether due to power cuts, looting, commandeering of equipment, or attacks on staff. And let’s not forget that in contexts with authoritarian governments, an independent local media is likely to suffer. Again, this can feed into a situation where people cannot access information from trusted sources and may turn to social media for the latest news updates.

Moreover, what drives engagement is often activating strong emotional responses in users through, for example, powerful images, videos, or narratives. Particularly within a conflict situation, by definition multilayered and complex, this leads the internal mechanisms of social media companies (“the algorithms”) to spotlight easily accessible and emotionally charged content. This combined with a huge hunger for information seems to lead in one direction: emotionally charged narratives reaching thousands of people without factual verification.

 

Social media provides lots of information, but often of low quality

As with many laissez-faire approaches, openness and freedom is to a certain extent an illusion. This is because, in the case of Twitter and Meta (the parent company of Instagram and Facebook), the company doesn’t exist to provide an information service- it exists to satisfy its shareholders and investors. The model for making money from social media is now fairly well researched, but in short: social media companies work as advertising platforms and sell advertising space. The longer someone engages with the platform, the more can be charged for advertising space.

The great equalising hope for peer to peer (P2P) media, where anyone can publish their views and ideas without editorial gatekeeping, including social media, is that it can give disempowered people a platform to voice their grievances or struggle and can reach audiences without waiting for a legacy media company to provide that platform. Within a conflict situation, this could extend to giving civilians a voice in the conflict or providing an outlet for non-state actors to give ‘their side of the story’.

However, whilst there are plenty of cases of legacy media organisations stoking hate, there is at least some basis for holding them legally accountable, even if it is slow-moving and limited. Social media companies, on the other hand, are not classified as ‘publishers’ and so do not have to kneel to publishing guidelines and law.

 

A role for citizen journalists and more strictly regulated platforms?

So, how can we find a balance between providing platforms for those people who are routinely missed by legacy organisations to speak their truths? One option could be equitable partnerships between media platforms and citizen journalists. Outlets like The Guardian seem to have a workable model for this.

Another solution could be strong legislation that considers social media organisations as the publishers that they are, and so holds them legally accountable for spreading misinformation. Perhaps a longer-term and more holistic solution, though, is creating platforms where the overall target is sharing accurate information and true voices, rather than seeking maximum returns on investment.


Image source: Pexels & Pexels.


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Opinions expressed in Bliss posts reflect solely the views of the author of the post in question.

About the author:

Tom Ansell is the Coordinator of the Humanitarian Studies Centre and International Humanitarian Studies Association.

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COVID-19 | Radio silence during the crisis: how our imperial gaze threatens to sharpen global divides by Lize Swartz and Josephine Valeske

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The spread of coronavirus COVID-19 across the world has been accompanied by an explosion of activity on social media as people have tried to make sense of the implications of the virus and the speed of change. But the story that is emerging amid the chaos has failed to draw attention to the effect of the virus on low-income groups, making visible a radio silence on the plight of those in the Global South in particular. We need to break the silence to ensure the implementation of inclusive responses and a widening of the narrative beyond that of the privileged, write Lize Swartz and Josephine Valeske.


Following the progression of the coronavirus on news and social media from within the Netherlands, we have witnessed a worrying parallel development: a focus on the immediate economic effects of the crisis, including financial losses; reports of panic buying that have fueled further panic and anxiety; and the effects of quarantining on personal life. In the higher income households of Europe, social distancing and isolation are no more than an inconvenience for many, and one of the biggest concerns among young adults seems to be the boredom that will hit when being forced to stay at home for two weeks. For others it will be the lack of freedom of movement, the inability to travel for leisure and business or do things for pleasure.

Thus, two sides of the virus have become highlighted: either inconvenience through social distancing leading to eventual recovery, or death of the vulnerable as an impact of the virus itself. The ‘middle’—the physical suffering the virus will bring, rooted in pervasive structural socio-economic inequalities, has not sufficiently been discussed. The pandemic uncovers the effects of decades of neoliberalism undermining the welfare and healthcare systems all across the world. But in the Global South as well as in intentionally forgotten places in the Global North like the refugee camp Moria on Lesbos, the suffering will assume another dimension altogether.

There is still hope that low-income countries can avoid the pandemic, with Africa having put travel bans on Europe, China, and the US in a powerful twist of the discriminatory global visa regime. But if the coronavirus hits impoverished countries with high levels of social inequality and inadequate public health systems that still suffer the effects of (neo-)colonialism, that inequality will increase. For the vulnerable, the coronavirus will not be just an inconvenience, leading to loneliness or a temporary loss of income—it will likely cause untold suffering. The virus may result in the death of the physically vulnerable, including undernourished children and adults, or those with tuberculosis or Aids.

While it is true that the elderly across all income groups are experiencing the highest mortality rates, it is likely that young people in low-income groups will experience higher mortality than those that are wealthy, as is the case with influenza. A study by the University of Edinburgh found that the level of access to healthcare is associated with <65 year-olds’ influenza mortality rates. Deaths are not just numbers, but real experiences resulting in trauma and emotional distress.

Furthermore, often it is the suffering before possible death that strikes us hardest. Wealthier residents in the Global South, as many people in the Global North, will be able to self-isolate by withdrawing into their own lives, surrounded by high walls—properties where they can live in relative comfort for a few weeks, waiting for the storm to pass. Their place of safety is others’ place of danger. In informal settlements, isolation is not possible, where toilets and taps, where and if they are available, are shared. It is here where several people are crowded into a single room, sharing beds, utensils, space. It is here where diseases including tuberculosis spread more quickly. The suffering of those who cannot distance themselves socially, whose houses are not necessarily homes, or who do not have a house with a door and four walls, needs to be emphasized. The suffering of those who usually wander the streets during the day and now have to be confined into what might become a death trap.

When the time for isolation comes, not only will it be impossible in densely populated areas, it will become devastating. Many workers survive from their daily wage, living hand to mouth. Those without a choice will have to go to work, and the virus will spread. The dependence on public transport, particularly buses and trains, in developing countries should not be negated. Wearing a mask won’t help if you’re crowded into a small space. And as horrible as working with a fever and breathing troubles sounds, it might still be better than what will happen if the governments declare shutdown and sentence the extremely poor to go hungry for days or even weeks.

In addition, school feeding programmes for many children provide the only nutritious meal that they get each day—or the only meal they may get. Staying away from school can be devastating for families who cannot afford to feed their children, both in the Global South as also in places like New York City, which hosts 114,000 homeless children. And impoverished people who cannot afford private healthcare will have to wait in queues in clinics and at hospitals for free medicine—to the extent that they are accessible or proximate—increasing their risk of exposure to sickness.

Perhaps the worst of it all, however, is that for many low-income groups in the Global South, the physical effects of the pandemic and the sudden confrontation with death by illness are not at all as novel as they are for us in the rich countries. Death and suffering from communicable diseases is much more common in the Global South than in the North (see figure below). The daily death count of “poor people’s diseases” such as tuberculosis and malaria are at present much higher than those of the coronavirus, but these illnesses, often easier to fight than the novel virus, are usually forgotten―as are their victims.

corona graph

Source: https://informationisbeautiful.net/visualizations/covid-19-coronavirus-infographic-datapack/

The coronavirus is threatening to sharpen divides both intra- and internationally, not only revealing differences in adaptive capacity based primarily on socio-economic circumstances that affect individual responses to the virus, but also highlighting ignorance regarding the constant high level of exposure of vulnerable groups to communicable diseases. The very silence about these inequalities perpetuates them. Strong responses are sorely needed, including ongoing pressure to ensure that interventions are inclusive and target vulnerable groups first instead of focusing on the business sector.

Moreover, individuals need to break the silence by directing their gaze outward, away from their own societies, to reshape the narrative of the crisis by driving the focus away from the privileged who continue to dominate sense-making processes and who are dampening or silencing the voices of others in the process. And finally, it should not be forgotten that what wealthy societies are facing now has been the daily reality for many around the world, and that our imperial gaze often prevents us from recognizing this.


This article is part of a series about the coronavirus crisis. Find more articles of this series here.


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About the authors:

Lize Swartz is a PhD researcher at the ISS focusing on water user interactions with sustainability-climate crises in the water sector, in particular the role of water scarcity politics on crisis responses and adaptation processes. She is also the editor of the ISS Blog Bliss.

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Josephine Valeske holds a MA degree in development studies from the ISS. She is currently an intern at the Transnational Institute in Amsterdam and the blog manager of the ISS Blog Bliss. Her reseach interests lie in the areas of aid, corporate accountability, and social and economic justice.

The role of the media in promoting water integrity: the case of Ghana by Abdul-Kudus Husein

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Ghana’s water utilities are undermined by corruption, impeding the ability of millions of Ghanaians to access safe water resources. The media can play an important role in pushing back corruption in several ways. But often, the media’s potential as watchdog is not fulfilled. This article highlights the key challenges that the Ghana’s media sector faces and argues that it is not likely to ensure greater water integrity without support from the government, the private sector, and civil society.


It is 6am on a Saturday morning and Charity Abiamo, a street vendor of oranges, is on a daily mission with her three children to find water. Charity and her children live in Abofu, an informal settlement situated between Achimota and Abelemkpe in Accra, Ghana’s capital.

Charity leads the way in the alleys of Abofu carrying a black plastic container, with her one–year-old child strapped to her back whilst her two other children follow her carrying two yellow jerrycans known as ‘Kuffour gallons’. These yellow one-gallon containers, which have become a symbol of the water shortage in Ghana, were named after the country’s former president, John Agyekum Kuffour (2000–8), under whose rule Ghana experienced a severe water crisis.

The journey from Charity’s home to the source of drinking water, a large drainage channel connecting to the Odaw River in Accra, takes between 10 and 15 minutes. As Charity arrives, other families are already at the Odaw drainage channel, stretching over the edge with their containers to collect water from an overflowing algae-infested pipeline. Charity claims she uses the water for cooking, drinking and washing, despite the water not being treated considering the lack of suitable and safe alternative water sources.

Accra’s water problems

Accra, Ghana is a fast-growing urban area that is facing considerable planning challenges including access to clean water owing to its rising population. With a current total of 4 million, the city’s population is expected to double by 2030, further compounding the water situation as illustrated by Charity.

Water supply to urban populations in Accra is assigned to the Ghana Water Company Limited (GWCL). Water is provided for inhabitants of these regions using a piped rationing system managed by the GWCL. Additionally, there are private tanker services to provide water to areas that are not served by the GWCL. Despite these measures, both high and low income earners in Accra still face a great challenge in accessing water. High-income earners in areas with piped water connections even purchase large water-storage vessels, such as the ‘poly-tank’, to store enough water to last them a week or more. Those in the low-income bracket rely on small, unhygienic storage systems and informal vendors such as the water-tanker services, community standpipes and boreholes for their daily use.

Poor integrity contributes to water woes

In an article published by Bloomberg, Moses Dzawu (2013) argued that many of the GWCL’s problems can be attributed to weak and outdated pipes, which fail to support the mass production and distribution of water to certain parts of the capital, as well as poor management, a lack of transparency and accountability, and corruption.

Similarly, Peter Van Rooijen (2008) maintains that corruption, together with a lack of transparency and accountability, is a key challenge hindering the GWCL’s effective operation. Corruption in the water sector in Ghana takes many forms, from misappropriations of huge sums of money to illegal connections and consumption of water. Indeed, stories of corruption have always dominated the media space in Ghana.

The link between media and integrity

The media, along with other agencies, plays an important role in corruption detection and promoting transparency and accountability in the water sector. Scholars argue that Ghana’s media has contributed largely to the country’s democratic efforts by holding the state accountable, promoting citizen education and participation, and monitoring state institutions.

In fact, in 2001, the media, together with the Integrated Social Development Centre (ISSODEC), successfully opposed a World Bank-backed project to fully privatise the GWCL. This effort was largely carried out through increased media reportage, in order to educate the public on the dangers of such privatisation (Amenga-Etego and Grusky 2005: 275).

The media is widely regarded as a defence against abuses of power; excessive politicization of national matters in the Ghanaian media is therefore very worrying. The lack of coverage and at times biased coverage on corruption or lack of integrity show that there is still a way to go before the media plays its potential role of encouraging and catalysing change within the water sector.

Challenges for the media on water integrity

The Water Integrity Network (WIN) supports and connects partners, individuals, organisations and governments promoting water integrity in order to reduce corruption and improve water-sector performance worldwide. In its Water Integrity Global Outlook 2016, it maintains that in order to fight corruption in the water sector there is a need for people to first recognise that corrupt practices exist. Local and national media both have an important role to play in bringing issues of corruption to the attention of civil society, the public and policymakers, to ensure that action is taken through policy or advocacy.

Several things come into play here: first, ownership of the media can play a role. The question of whether the media is independent or state-owned influences the extent to which it can be critical about the level of corruption in state institutions. State media tends to be less critical of government institutions, whilst the private media will most likely be more critical.

Furthermore, the amount of resources available to journalists may influence how effectively the media is able to act as a watchdog in fighting corruption. Ghanaian reporters are often poorly paid, under-resourced and lacking in training. As a result, journalists in Ghana find themselves susceptible to bribery and self-censorship.

Aside from low salaries, the Ghanaian media also suffers from weak capacity. There is a lack of adequate training and mentoring for thousands of journalists in the country in general and in specific the water sector, even though some donor organisations and non-governmental organisations (NGOs) have attempted to train reporters. Most of these attempts have, in fact, been frustrated by a lack of commitment from the journalists themselves.

The social media debate

Social media presents opportunities as well as challenges for the future of the news media in promoting integrity in the water sector. It offers many people new ways of networking, and of sharing and receiving information outside of the mainstream media such as TV, radio and newspapers.

Social media can serve as a mechanism to ‘name and shame’ corrupt officials and share information on corruption using blogs and corruption-reporting platforms such as ‘I PAID A BRIBE’ by the GII in Ghana. This online platform helps to collect anonymous reports of bribes paid, bribes requested but not paid, and bribes that were expected but not forthcoming.

Looking ahead

The watchdog role of the media does not end at producing information about misbehaviour, but also concerns how that information is used to hold people accountable for their actions. A government must know that people want responsiveness and wish to hold those in power accountable for their actions. A country’s media is likely to have a minimal effect on corruption if it tows the political line or fails to obtain the necessary support from the government, the private sector and civil society.

If the UN’s Sustainable Development Goal (SDG) 6 on water is to be achieved, the issue of water integrity should be taken more seriously by the media because it plays a key role in various aspects of the SDGs.

It is important that new initiatives are established where the media is further encouraged to take a keen interest in reporting on water related issues. International non-profit organisations, such as WIN, as well as other civil-society organisations have a role to play in ensuring that journalist networks are supported to report on these issues. It is important that the interest of journalists in reporting on such issues is sustained, which could be done through involving them in training courses or broadening their knowledge and awareness on integrity issues in the sector. The government has a role to play in ensuring that the space for the media remains open and that their safety on reporting on sensitive issues is assured.

International non-profit organisations, such as WIN, as well as civil society organisations should intensify their efforts in supporting the media to report on water issues. Journalists who show an interest in the water sector should be given the opportunity, through training courses, to broaden their knowledge and awareness of integrity issues in that sector.

Finally, there is a need for enhanced monitoring mechanisms to be utilised by citizens, civil society and the media in order to strengthen accountability and transparency, and to ensure value for money in water-service delivery.


This post is a shortened version of the original article that can be found here


33591844_10216565409229217_4810907646955618304_n.jpgAbout the author:

Abdul-Kudus Husein graduated from the ISS last year with a MA degree in Development Studies. He is currently the Communications Officer at the Ghana Anti-Corruption Coalition (GACC). His professional portfolio includes communication and fundraising with civil society and the private sector. He has over 10 years experience in generating and implementing positive offline and online messages to engage audience and stakeholders and strong long term commitment to public policy, governance, participatory development, communications for change and local economic development.

 

 

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Beauty has so many forms, and I think the most beautiful thing is confidence and loving yourself.

As you may be aware from the proliferation of headlines that end in “…and the internet is very upset about it!” the Internet is constantly very upset about various things. Some of those things provoke quite understandable if not righteous upper. Other times though, the internet just seems bored and looking for something to kick around the ol’ Twitter echo chamber. The world of fashion meanwhile has a long history of provoking, teasing, scandalizing, and, dare we say it, trolling.[/dropcap]

Actual scandal-worthy fashion moments aside, it is of little surprise then that occasionally otherwise inoffensive fashion items and objects get caught in the Twitter outrage cycle simply for existing. Would fashion really be doing it’s job in 2017 if it didn’t occasionally provoke such strong reactions online? We have little doubt that that was the point at least some of these designers (we’re looking at you Demna) were trying to make. Others maybe were perhaps just playing catch up on what they perceived as a trend.

Fall decorating presents the opportunity to revel in luxury. Fabrics become more substantial, color palettes transition to rich hues, and just about every design decision for the season revolves around cultivating a cozy living environment. In an effort to help you make your space ideal for fall, a group of design tastemakers reveal the decor trends to expect in homes across the country this season, along with a few lessons you’ll want to consider.Actual scandal-worthy fashion moments aside, it is of little surprise then that occasionally otherwise inoffensive fashion items and objects get caught in the Twitter outrage cycle simply for existing. Would fashion really be doing it’s job in 2017 if it didn’t occasionally provoke such strong reactions online?[/dropcap]

Beauty has so many forms, and I think the most beautiful thing is confidence and loving yourself.

Mike Rowe, host of Discovery Channel’s Dirty Jobs, entered into the world online fashion critic earlier this year when he discovered a pair of $425 jeans on sale at Nordstrom’s from the brand PRPS. He positioned them as another volley in “our country’s War on Work.” He continued, “They’re not even fashion. They’re a costume for wealthy people who see work as ironic – not iconic.” Fair point. Really though we were also a bit offended that DSquared2 already did the whole purposefully muddied jeans a few years ago. In fact, Gwen Stefani was spotted wearing the originals when she first started dating Blake Shelton. See, there.[/dropcap] “Up until that point, people had been hearing exercise messages for the better part of the decade, but they weren’t sure what they were supposed to do,” says Shelly McKenzie, PhD, author of Getting Physical: The Rise of Fitness Culture in America. Cooper offered practical workout guidelines—setting the stage for what would eventually become a national fitness obsession. The 1960s also saw the birth of the modern barre industry. The workout was invented by Lotte Berk, a retired German dancer who combined ballet moves, yoga and rehabilitative exercises to help herself recover from a back injury. She discovered that the workout helped her stay strong and supple, and in 1959, opened a small basement studio on Manchester Street in London, where she attracted a star-studded clientele.


 

Mixing urban attitude, boho elegance and rock ‘n’ roll spirit, she delivers a genuine French allure.

 


“We can’t afford not to educate girls and give women the power and the access that they need.”

We get why people would be outraged from a certain view, but we also think at least some of these designers are in on the joke. Maybe the only question is what exactly the punchline is. Then again, when you think about it the entire world of high fashion is taking something mundane (clothing; we all have to wear it), and turning it into coveted and cutting-edge luxury items.

 

Mike Rowe, host of Discovery Channel’s Dirty Jobs, entered into the world online fashion critic earlier this year when he discovered a pair of $425 jeans on sale at Nordstrom’s from the brand PRPS. He positioned them as another volley in “our country’s War on Work.” He continued, “They’re not even fashion. They’re a costume for wealthy people who see work as ironic – not iconic.” Fair point. Really though we were also a bit offended that DSquared2 already did the whole purposefully muddied jeans a few years ago. In fact, Gwen Stefani was spotted wearing the originals when she first started dating Blake Shelton. See, there are occasional situation in which a high fashion-meets-down home country boy aesthetic really

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Once you’ve settled on a shade, New York City colorist Aura Friedman, whose clients include everyone from Carolyn Murphy to Caroline Polachek and Sky Ferreira, says the only rule for dyeing your eyebrows is to match warm tones with warm tones, cool with cool. That, and be prepared to return to the salon at least once every four weeks.


Beauty has so many forms, and I think the most beautiful thing is confidence and loving yourself.

As you may be aware from the proliferation of headlines that end in “…and the internet is very upset about it!” the Internet is constantly very upset about various things. Some of those things provoke quite understandable if not righteous upper. Other times though, the internet just seems bored and looking for something to kick around the ol’ Twitter echo chamber.

The world of fashion meanwhile has a long history of provoking, teasing, scandalizing, and, dare we say it, trolling. Actual scandal-worthy fashion moments aside, it is of little surprise then that occasionally otherwise inoffensive fashion items and objects get caught in the Twitter outrage cycle simply for existing. Would fashion really be doing it’s job in 2017 if it didn’t occasionally provoke such strong reactions online? We have little doubt that that was the point at least some of these designers (we’re looking at you Demna) were trying to make. Others maybe were perhaps just playing catch up on what they perceived as a trend.

Fall decorating presents the opportunity to revel in luxury. Fabrics become more substantial, color palettes transition to rich hues, and just about every design decision for the season revolves around cultivating a cozy living environment. In an effort to help you make your space ideal for fall, a group of design tastemakers reveal the decor trends to expect in homes across the country this season, along with a few lessons you’ll want to consider. Fall decorating presents the opportunity to revel in luxury. Fabrics become more substantial, color palettes transition to rich hues, and just about every design decision for the season revolves around cultivating a cozy living environment. In an effort to help you make your space ideal for fall, a group of design tastemakers reveal the decor trends to expect in homes across the country this season, along with a few lessons you’ll want to consider.

Beauty has so many forms, and I think the most beautiful thing is confidence and loving yourself.

Mike Rowe, host of Discovery Channel’s Dirty Jobs, entered into the world online fashion critic earlier this year when he discovered a pair of $425 jeans on sale at Nordstrom’s from the brand PRPS. He positioned them as another volley in “our country’s War on Work.” He continued, “They’re not even fashion. They’re a costume for wealthy people who see work as ironic – not iconic.” Fair point. Really though we were also a bit offended that DSquared2 already did the whole purposefully muddied jeans a few years ago. In fact, Gwen Stefani was spotted wearing the originals when she first started dating Blake Shelton. See, there are occasional situation.

 

Mixing urban attitude, boho elegance and rock ‘n’ roll spirit, she delivers a genuine French allure.

We get why people would be outraged from a certain view, but we also think at least some of these designers are in on the joke. Maybe the only question is what exactly the punchline is. Then again, when you think about it the entire world of high fashion is taking something mundane (clothing; we all have to wear it), and turning it into coveted and cutting-edge luxury items.

Life experience brings out different emotions and different perspectives on things. I just want to be constantly evolving.

Mike Rowe, host of Discovery Channel’s Dirty Jobs, entered into the world online fashion critic earlier this year when he discovered a pair of $425 jeans on sale at Nordstrom’s from the brand PRPS. He positioned them as another volley in “our country’s War on Work.” He continued, “They’re not even fashion. They’re a costume for wealthy people who see work as ironic – not iconic.” Fair point. Really though we were also a bit offended that DSquared2 already did the whole purposefully muddied jeans a few years ago. In fact, Gwen Stefani was spotted wearing the originals when she first started dating Blake Shelton. See, there are occasional situation in which a high fashion-meets-down home country boy aesthetic really.

People were absolutely astounded, at least in between that time that they read the Tweet or headline and when they actually go to the details, that Prada was selling a $150 “paper clip.” In reality, of course, it was a sterling silver money clip shaped like a paper clip (and when you really think about it, all clips really do the same thing). $150 is a lot for a paper clip, but it’s actually not that eye boggling when you look at other high-end money clips.

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By Posted on 1595 views

Beauty has so many forms, and I think the most beautiful thing is confidence and loving yourself.

As you may be aware from the proliferation of headlines that end in “…and the internet is very upset about it!” the Internet is constantly very upset about various things. Some of those things provoke quite understandable if not righteous upper. Other times though, the internet just seems bored and looking for something to kick around the ol’ Twitter echo chamber. The world of fashion meanwhile has a long history of provoking, teasing, scandalizing, and, dare we say it, trolling.

Actual scandal-worthy fashion moments aside, it is of little surprise then that occasionally otherwise inoffensive fashion items and objects get caught in the Twitter outrage cycle simply for existing. Would fashion really be doing it’s job in 2017 if it didn’t occasionally provoke such strong reactions online? We have little doubt that that was the point at least some of these designers (we’re looking at you Demna) were trying to make. Others maybe were perhaps just playing catch up on what they perceived as a trend.

Fall decorating presents the opportunity to revel in luxury. Fabrics become more substantial, color palettes transition to rich hues, and just about every design decision for the season revolves around cultivating a cozy living environment. In an effort to help you make your space ideal for fall, a group of design tastemakers reveal the decor trends to expect in homes across the country this season, along with a few lessons you’ll want to consider.Actual scandal-worthy fashion moments aside, it is of little surprise then that occasionally otherwise inoffensive fashion items and objects get caught in the Twitter outrage cycle simply for existing. Would fashion really be doing it’s job in 2017 if it didn’t occasionally provoke such strong reactions online?

Beauty has so many forms, and I think the most beautiful thing is confidence and loving yourself.

Mike Rowe, host of Discovery Channel’s Dirty Jobs, entered into the world online fashion critic earlier this year when he discovered a pair of $425 jeans on sale at Nordstrom’s from the brand PRPS. He positioned them as another volley in “our country’s War on Work.” He continued, “They’re not even fashion. They’re a costume for wealthy people who see work as ironic – not iconic.” Fair point. Really though we were also a bit offended that DSquared2 already did the whole purposefully muddied jeans a few years ago. In fact, Gwen Stefani was spotted wearing the originals when she first started dating Blake Shelton. See, there.

“Up until that point, people had been hearing exercise messages for the better part of the decade, but they weren’t sure what they were supposed to do,” says Shelly McKenzie, PhD, author of Getting Physical: The Rise of Fitness Culture in America. Cooper offered practical workout guidelines—setting the stage for what would eventually become a national fitness obsession. The 1960s also saw the birth of the modern barre industry. The workout was invented by Lotte Berk, a retired German dancer who combined ballet moves, yoga and rehabilitative exercises to help herself recover from a back injury. She discovered that the workout helped her stay strong and supple, and in 1959, opened a small basement studio on Manchester Street in London, where she attracted a star-studded clientele.


Mixing urban attitude, boho elegance and rock ‘n’ roll spirit, she delivers a genuine French allure.

“We can’t afford not to educate girls and give women the power and the access that they need.”

We get why people would be outraged from a certain view, but we also think at least some of these designers are in on the joke. Maybe the only question is what exactly the punchline is. Then again, when you think about it the entire world of high fashion is taking something mundane (clothing; we all have to wear it), and turning it into coveted and cutting-edge luxury items.

Life experience brings out different emotions and different perspectives on things.

Mike Rowe, host of Discovery Channel’s Dirty Jobs, entered into the world online fashion critic earlier this year when he discovered a pair of $425 jeans on sale at Nordstrom’s from the brand PRPS. He positioned them as another volley in “our country’s War on Work.” He continued, “They’re not even fashion. They’re a costume for wealthy people who see work as ironic – not iconic.” Fair point. Really though we were also a bit offended that DSquared2 already did the whole purposefully muddied jeans a few years ago. In fact, Gwen Stefani was spotted wearing the originals when she first started dating Blake Shelton. See, there are occasional situation in which a high fashion-meets-down home country boy aesthetic really

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By Posted on 1408 views

Beauty has so many forms, and I think the most beautiful thing is confidence and loving yourself.

As you may be aware from the proliferation of headlines that end in “…and the internet is very upset about it!” the Internet is constantly very upset about various things. Some of those things provoke quite understandable if not righteous upper. Other times though, the internet just seems bored and looking for something to kick around the ol’ Twitter echo chamber. The world of fashion meanwhile has a long history of provoking, teasing, scandalizing, and, dare we say it, trolling.

Actual scandal-worthy fashion moments aside, it is of little surprise then that occasionally otherwise inoffensive fashion items and objects get caught in the Twitter outrage cycle simply for existing. Would fashion really be doing it’s job in 2017 if it didn’t occasionally provoke such strong reactions online? We have little doubt that that was the point at least some of these designers (we’re looking at you Demna) were trying to make. Others maybe were perhaps just playing catch up on what they perceived as a trend.

Fall decorating presents the opportunity to revel in luxury. Fabrics become more substantial, color palettes transition to rich hues, and just about every design decision for the season revolves around cultivating a cozy living environment. In an effort to help you make your space ideal for fall, a group of design tastemakers reveal the decor trends to expect in homes across the country this season, along with a few lessons you’ll want to consider.Actual scandal-worthy fashion moments aside, it is of little surprise then that occasionally otherwise inoffensive fashion items and objects get caught in the Twitter outrage cycle simply for existing. Would fashion really be doing it’s job in 2017 if it didn’t occasionally provoke such strong reactions online?

Beauty has so many forms, and I think the most beautiful thing is confidence and loving yourself.

Mike Rowe, host of Discovery Channel’s Dirty Jobs, entered into the world online fashion critic earlier this year when he discovered a pair of $425 jeans on sale at Nordstrom’s from the brand PRPS. He positioned them as another volley in “our country’s War on Work.” He continued, “They’re not even fashion. They’re a costume for wealthy people who see work as ironic – not iconic.” Fair point. Really though we were also a bit offended that DSquared2 already did the whole purposefully muddied jeans a few years ago. In fact, Gwen Stefani was spotted wearing the originals when she first started dating Blake Shelton. See, there.

“Up until that point, people had been hearing exercise messages for the better part of the decade, but they weren’t sure what they were supposed to do,” says Shelly McKenzie, PhD, author of Getting Physical: The Rise of Fitness Culture in America. Cooper offered practical workout guidelines—setting the stage for what would eventually become a national fitness obsession. The 1960s also saw the birth of the modern barre industry. The workout was invented by Lotte Berk, a retired German dancer who combined ballet moves, yoga and rehabilitative exercises to help herself recover from a back injury. She discovered that the workout helped her stay strong and supple, and in 1959, opened a small basement studio on Manchester Street in London, where she attracted a star-studded clientele.


Mixing urban attitude, boho elegance and rock ‘n’ roll spirit, she delivers a genuine French allure.

“We can’t afford not to educate girls and give women the power and the access that they need.”

We get why people would be outraged from a certain view, but we also think at least some of these designers are in on the joke. Maybe the only question is what exactly the punchline is. Then again, when you think about it the entire world of high fashion is taking something mundane (clothing; we all have to wear it), and turning it into coveted and cutting-edge luxury items.

Life experience brings out different emotions and different perspectives on things.

Mike Rowe, host of Discovery Channel’s Dirty Jobs, entered into the world online fashion critic earlier this year when he discovered a pair of $425 jeans on sale at Nordstrom’s from the brand PRPS. He positioned them as another volley in “our country’s War on Work.” He continued, “They’re not even fashion. They’re a costume for wealthy people who see work as ironic – not iconic.” Fair point. Really though we were also a bit offended that DSquared2 already did the whole purposefully muddied jeans a few years ago. In fact, Gwen Stefani was spotted wearing the originals when she first started dating Blake Shelton. See, there are occasional situation in which a high fashion-meets-down home country boy aesthetic really