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Ten fashion trends to adapt to climate change after 2030

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“It’s only when the tide goes down, that we can see who was swimming naked”. But the cruel irony of climate change is this: the water may never recede. The way to swim the high tide is by wearing clothes adapted to the new climate, as the PhD researcher, Luciana dos Santos Duarte, talked about at UN COP29.

 

Photo Credit: Beka Pratov

As the world reaches the critical threshold of 1.5°C global warming, the impacts of climate change are becoming harder to ignore. With over 8 billion people on Earth, our consumption habits are transforming the planet in irreversible ways. The fashion industry, notorious for its fast-paced cycles and environmental toll, has expanded at an unprecedented rate. Ultra-fast fashion brands like Shein have outpaced giants like Zara, rapidly producing trendy garments at a fraction of the cost. The fashion sector now accounts for an estimated 10% of global carbon emissions, underscoring its contribution to the climate crisis.

Fashion’s response to the climate crisis

Part of the fashion industry has acknowledged its role in the climate crisis by setting carbon reduction targets and exploring sustainable practices. Brands like Patagonia lead with initiatives like the Fashion Pact, a coalition committed to climate goals and aligning with the Paris Agreement. Patagonia’s Worn Wear programme promotes a circular economy by repairing and recycling items and by using recycled materials like fishing nets and plastic bottles to reduce waste. These efforts signal a shift towards a just transition in the fashion and textile sector.

What Artificial Intelligence has to say about fashion

When we asked ChatGPT about the future trends for sustainable fashion in a climate-stricken world, it identified key themes for the industry to explore:

  1. Sustainable materials;
  2. Circular fashion;
  3. Second-hand;
  4. Local production;
  5. Biodegradable;
  6. Minimalism;
  7. Technology integration;
  8. Fashion activism;
  9. Ethical practices.

However, AI does not tell us how to adapt to disasters and catastrophes such as floods and heatwaves.

Adaptation to climate change

While these so-called trends are progressive, they lack creative insights and solutions to adapt to climate change. Governments and climate researchers are bracing themselves for a possible scenario where global temperatures rise by over 3°C. The Brazilian government, for example, is already preparing for this possibility. This reality signals the need for adaptation strategies, not just mitigation efforts. To survive in a world marked by extreme temperatures and frequent natural disasters, the fashion industry must go beyond reducing emissions. The question we face is: what will we wear to endure this new, harsher climate?

Ten fashion trends to adapt to climate change

1. Becoming nocturnal

As global temperatures rise, daytime activity in many regions may become untenable due to extreme heat. Cities might shift to a predominantly nocturnal rhythm, with daily life occurring after sunset. Fashion would adapt by prioritizing reflective clothing to enhance visibility and safety in low-light conditions. Breathable, lightweight fabrics would dominate, ensuring comfort in humid or warm nighttime environments while maintaining practicality and style.

2. Personal survival kits
Clothing may incorporate built-in survival kits, integrating essential items like compact water pouches, first-aid supplies and emergency tools. This innovation reflects the growing demand for functional gear that addresses real-world challenges. Garments might include discrete compartments or modular attachments, ensuring utility without sacrificing aesthetics. As climate events like floods, wildfires and storms grow more frequent, such features could become a standard for preparedness.

3. Specialized coatings in textile engineering

Advancements in textile engineering are opening new possibilities for resilience against extreme conditions. Fabrics treated with specialized coatings could resist heat, UV radiation and water, providing wearers with enhanced protection. Such innovations may not only improve comfort but also extend the lifespan of garments, reducing waste and promoting sustainability.

4. Heat-resistant materials

Designers are developing heat-resistant materials to withstand intense sunlight and high temperatures, addressing the challenges of rising global temperatures.

5. Green surface design and nature integration

Eco-friendly fashion is evolving to harmonize with natural systems. Light-coloured, reflective fabrics can reduce heat absorption, keeping wearers cooler in direct sunlight. Incorporating biophilic designs– patterns inspired by nature – into urban fashion fosters a sense of connection to the environment. These elements not only offer practical benefits but also encourage sustainable practices in design and consumption.

6. Frugality and multi-purpose designs

In response to resource scarcity, fashion is embracing multifunctionality. Garments that transform based on weather conditions, such as coats that convert to rain capes or jackets with detachable linings, are gaining popularity. These designs cater to practicality while emphasizing minimalism, reducing the need forand excessive wardrobe.

7. Revisiting forgotten patents

The fashion industry is rediscovering innovations from the past to solve modern challenges. Concepts like solar-powered clothing and electric-heated garments, once sidelined, are regaining attention. These older patents are being adapted with contemporary materials and technology to align with the needs of a changing climate.

8. Gamification of e-commerce

Digital fashion is reshaping e-commerce with gamified experiences. Non-fungible tokens (NFTs) and augmented reality enable interactive, customizable collections, reducing physical production and waste while engaging tech-savvy consumers. Gamified experiences make sustainable practices more appealing and accessible, by selling a digital product-experience.

9. Micro-Earth living

‘Micro-Earth’ wardrobes focus on compact, modular designs that adapt to various climates and activities, promoting a low-impact lifestyle. They are inspired by the micro-environments we can control at home, such as terrariums, since we feel powerless to deal with climate change.

10. Escape to Mars: Aesthetic and technological escape


Space-inspired fashion offers innovation but risks distracting from urgent earthly issues. While futuristic designs inspire creativity, they must also align with sustainability to address the real challenges of climate resilience.

The relentless tide may not recede, but it forces us to confront what we have built – and what we can salvage. In this shifting landscape, adaptation is no longer a choice; it’s a necessity. From garments designed to withstand extreme weather to digital fashion reducing physical waste, innovation is emerging as both a survival tool and a creative outlet. These solutions remind us that even in a crisis there is room for reinvention. What we wear in this new world will reflect more than style; it will reflect our determination to endure and thrive, even as the tides of change continue to rise.

Opinions expressed in Bliss posts reflect solely the views of the author of the post in question.

 

About the Authors

Luciana Duarte

Luciana dos Santos Duarte

United Nations Observer at the UN Climate Change Conference COP. Product Designer, Lecturer of Industrial Design Engineering at The Hague University of Applied Sciences, double-degree PhD researcher in Development Studies at the International Institute of Social Studies (Erasmus University Rotterdam) and in Production Engineering (Federal University of Minas Gerais, Brazil). Founder of Amazonia Design

Tanishkar Majukar

Tanishka Majukar

BSc Industrial Design Engineering student at The Hague University of Applied Sciences, Public Relations and Social Media Assistant at Amazonia Design, Press Team for MUN at the International School of the Hague.

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Inspiring stories of The Street Store, a pop-up fashion “store” for the homeless

In this blog, Luciana dos Santos Duarte, a PhD Researcher at ISS, delves into The Street Store initiative: a pop-up fashion ‘shop’ for the homeless. The Street Store is a pioneering initiative that collects clothing donations, and then sets up a ‘pop-up shop’, so that homeless people can have the experience of shopping for clothes in a store. This means that people are able to choose clothes that they like, and take part in a social, humanizing experience.

Photo: Vitor Colares

I was painting at a Buddhist sanctuary in Koh Yao Noi, Thailand, with other artists from around the world, sponsored by the NGO World Peace Initiative. At the top of the mountain on this peaceful island, just me and an artist from South Africa, Ricky Lee Gordon, were creating our artworks. One of the canvases I did was a crown like a carnival mask, in reference to the shut down in Bangkok, on the revolutionary day of 13/01/2014. Once, we made a Secret Santa out of time, and my colleague got my name. On his knees, Ricky handed me a Nelson Mandela t-shirt, happy to have pulled off “someone with a political conscience”. I have never had a man on his knees happy to give me something. Coincidentally, we took the same flight to Ethiopia. And from there, I returned to Brazil with an inspiration – not artistic, but political. In the same year, I found out about a social project that had started in Cape Town, called The Street Store.

1st The Street Store Belo Horizonte, 2015. Photo: Flávia Viana

In early 2015, I published on my fashion website about this project: engineering students were going to run a ‘street store’ for the homeless, where everything is for free. Twenty students would be volunteers working as if they were salespeople, and homeless people from the area could choose clothes according to their taste, subverting the logic of donation (normally from top to down). A newspaper in Belo Horizonte, one of the largest cities in Brazil, read my blog and then published an article as if they had interviewed me. Consequently, other newspapers published about the project, and I received about 30 emails a day from people wanting to be clothing donors or volunteers!

Thus, I resized the project to have 140 volunteers for the first edition. We served more than 800 homeless people in one day, ‘selling’ hundreds of items clothing. That year, I counted more than 100 reports about the project on TV, radio, in magazines, and on websites. As narratives tend to focus on a heroic individual, which has always bothered me, and this was a team effort, I asked a volunteer to take the lead and attend to the journalists, whilst I would be backstage, sorting clothes, and doing internal communication. My best student (who became a friend) handled the logistics. From 2015 to 2019, we held 10 editions, with more than a thousand registered donors, hundreds of volunteers, and thousands of clothes given to hundreds of homeless people.

2nd The Street Store Belo Horizonte, 2015. Photo: Bruna Teixeira

 

Every shopper has a face and a story

Talking about large numbers takes away from all the wonderful stories we lived. Homeless people who chose a smart suit and then got a job as a security guard, or as a waiter. Young boys choosing backpacks to carry their books to school. A woman that chose clothes for her entire family. One of our most interesting customers, who we met in 2015, was Gleisson. He gave me an origami flower made from cigarette paper in 2016, and after we hugged, he told me that he was wearing an ankle tag having been he was arrested for robbery. In 2018, when I last saw him, he told me he was working, and that he was free.

Gleisson and Luciana, 7th The Street Store Belo Horizonte, 2016. Photo: Silvia Xavier

Another great pleasure was seeing fancy clothes from brands such as Gucci, Prada, Dior, Louis Vuitton, and more, all being given to homeless people for free. Robin Hood, in his own way, must have felt as I did about giving from the (white) rich to the poor.

In the 5th edition, a group of tricksters, not the homeless, decided to pick up most of the clothes before the store officially opened for the day. At the same moment as the crowd of people came to the store, a sensationalist TV presenter arrived to record it and tried to blame the lack of policing. But I reminded all 100 volunteers, and the journalists, of how Jean Valjean, the thief from Victor Hugo’s Les Miserables, had been received by the bishop. After serving the sentence of 19 years in prison for stealing bread, one day he is hosted in by the bishop, but in the middle of the night, he steals the religious’ valuable silverware. However, the police caught him and took him back to the bishop, who said: “But did you take just that? I gave to you much more!” The police immediately set Jean Valjean free, who was now aware of his dignity. I explained that we could not label the homeless as tricksters, and that the clothes were going to be donated to all, regardless who they were. A pity that just one group pick almost everything, without choosing.

The Street Store project that we co-ran received an award in the Generosity category by the Brazilian Architects, in 2015. In 2022, the project was selected by the Netherlands National Programme Open Science. In 2023, the two main volunteers who became leaders— my friends Leonardo Máximo and Priscila Prado— held the 11th edition of the project in Belo Horizonte recently.

Leonardo Máximo, Luciana Duarte, Priscila Prado 10th The Street Store Belo Horizonte, 2019 Photo: Silvia Xavier

 

Opinions expressed in Bliss posts reflect solely the views of the author of the post in question.

About the author:

Luciana dos Santos Duarte is doing a double-degree PhD in Production Engineering (Federal University of Minas Gerais, Brazil) and Development Studies (International Institute of Social Studies, ISS/EUR). She holds a master’s degree in Production Engineering, and a Bachelor degree in Product Design. She is also a lecturer in Industrial Design Engineering at The Hague University of Applied Sciences (THUAS).

 

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